ARTICLES

(2009) "Jacques Rancière: Le spectateur émancipé: Dignifying Spectatorship." In: Radical Philosophy vol.156 July/August 2009.

(2008) "In the Making of the Making of: The Practice of Rendering Performance Virtual." In: TkH vol 15 Goat Tracks of Self-Education, Performing Arts Theory Magazine, Beograd.

(2007) "Trickstering, Hallucinating and Exhausting Production. The Blackmarket for Useful Knowlede and Non-knowledge." In: S. Gehm et al (eds.), Knowledge in Motion, Perspectives of Artistic and Scientific Research in Dance. Bielefeld: transcript Verlag.

(2007) "Theory, Police and Disagreement." In: Reverse Engineering Education in Dance, Choreography and the Performing Arts. Berlin: bbooks.

(2006) "Learning by making and making by learning how to learn. In:Angelika Nollert et al (eds.), Academy. Revolver Verlag.

(2006) "To end with judgment by way of clarification.  In: M. Hochmuth et al. (eds.), It takes place when it doesn’t. On dance and performance. Frankfurt: Revolver

(2006) "The Alliance Is Over! Conceptual Dance and Performative Theory – East and West”. In Marina Grzinic", Mind the Map: History is not Given! Berlin: Projekt Relations.

(2005) "Open Work: Does it deserve a theory today?” Inl: Maska Performing Arts Journal, Volume 20, no. 5-6 (94-95), 2005, 5-23. (in collaboration with Ana Vujanovic)

(2004) "Collectivity? You Mean Collaboration." Ballet-Tanz, Vol. 7, Juli 2004, 34-37.

(2004) "The Passion of Proceduralism." Performance Research 9(1), March 2004, Taylor & Francis Group, London, 107-111.