Publications

PHD DISSERTATION
(2009) Beelden van tijd. Op zoek naar de tijdsdramaturgie in de Proustcyclus van Guy Cassiers. Utrecht University.

ARTICLES
Sigrid Merx published “Mapping Invisibility: Surveillance art and the potential of performative cartography” in Performing the Digital. Performativity and Performance Studies in Digital Cultures, eds. Martina Leeker, Imanuel Schipper and Timon Beyes (Bielefeld: Transcript Verlag, 2017), 157-170. Available via this link.

(2015) “Doing Phenomenology: The Empathetic Implications of CREW’s Head-swap Technology in ‘W’ (Double U)“. In Performance and Phenomenology: Traditions and Transformations. Edited by Maaike Bleeker, Jon Foley Sherman, Eirini Nedelkopoulou.

(2013) “The Politics of Scenography. Disrupting the stage. Performance Research 18.3: On Scenography (June 2013): 54-58.

(2012) “The argument of autonomy: the missing link in the discursive arena”. Walking Theory 20, special issue “Art and the Public Good”.

(2012) “Public – private. Re-activating the distinction”. Walking Theory 20, special issue “Art and the Public Good”.

(2011) “From doing to performing phenomenology: implications and possibilities.” Foundations of Science 16.3, special issue “Opening up the in-between”.

(2011) “Public Pie: Performing Public Space.” Performance Research 16.2 (June 2011): 132-137. “Public Pie” is listed as one of the most-read articles of the journal.

(2010) with Liesbeth Groot Nibbelink. “Presence and Perception: Analysing Intermediality in Performance.” In: Sarah Bay-Cheng, Chiel Kattenbelt, Andy Lavender and Robin Nelson (eds.) Mapping Intermediality in Performance. Amsterdam: Amsterdam University Press. 218-229.

(2009) “Theater, video en de kristallisering van de tijd.” In: Lucia van Heteren et al (eds.) Theater Topics 4 – Concepten en objecten. Amsterdam: Amsterdam University Press.

(2008) “Filmic photogénie in the theatre”. In: H.Schoenmakers et al (eds.), Theater und Medien. Grundlagen – Analysen – Perspektiven. Bielefeld: Transcript. 425-429.

(2006) “Onder ogen zien. Ethiek en esthetiek bij Hotel Modern.” In: Henk Havens et al (eds.), Theater en technologie. Amsterdam: TIN. 154-165.

(2006) “Verdubbeling en transformatie. De rol van video in de Proustcyclus van Guy Cassiers.” In: Henk Havens et al (eds.), Theater en technologie. Amsterdam: TIN. 48-60.

(2006) “Swann’s way: video and theatre as an intermedial stage for the representation of time.” In: Freda Chapple and Chiel Kattenbelt (eds.), Intermediality in theatre and performance. Amsterdam: Rodopi. 67-80.

(2005) “Naar een ontkoppeling van woord, beeld en klank.” Muntmagazine 68 (December 2005-January 2006): 12-13.

(2005) “Een esthetica van het verschil.” Rekto Verso (May 2005): 43-53.

(2004) “Guy Cassiers, Proust en het gebruik van video.” Zoekboek 1. Maastricht: Toneelacademie Maastricht.

(2004) “Bewogen beelden.” In: Proust 3: De kant van Charlus, script and workbook. Amsterdam/Rotterdam: IT&FB/Ro theater. 110-120.

(2003) “Guy Cassiers, Proust en het gebruik van video.” In: Proust 2: De kant van Albertine, script and workbook, Amsterdam/Rotterdam: IT&FB/Ro theater. 226-233.

(2003) “Lava Lounge. An adventure of the senses.” (review) Body Space & Technology 3.1.